Construction of the new bridge commenced in 1916, following the neoclassical design of Oscar Arellano

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Compania is on the southern portion of the district of Binondo, Manila and is attached to Chinatown to the north. This area on the northern bank of the Pasig was once the property of Jaime Damaso Gorricho and Ciriaca Santos of Imus, Cavite. Damaso Gorricho was quartermaster of the Spanish army and his wife Ciriaca provided fodder or zacate grass for the horses of the army. To meet the demands of the army, Ciriaca purchased land on the north bank of the Pasig where she had zacate planted. This area became Compania.

Both Compania and Chinatown are bounded by two esteros or brooks that feed into the Pasig River: Estero sobre Binondo to the west and Estero de el Reina to the east. Compania is linked to the southern bank of the Pasig and Intramuros by Jones Bridge, which replaced an earlier bridge, Puente de De cualquier parte del mundo, which was damaged by floods in 1914. The bridge was located one block downriver from the inicial portail of the older bridge.

The name �Escolta� derives from en road that ran from the northern flank of Intramuros across the Puente sobre Argentina and veered right or east toward Limpia Cruz. Compania meant military escort. The Comitiva heritage area is defined by Compania Street, and streets parallel-Dasmarinas, Muelle de la Factoria, and Anden Mandato Domestico � and streets perpendicular to it-Muelle sobre Binondo, Juan Luna (formerly Anlouagui), and Quintin Paredes Road (formerly Rosario), Yuchengco, Su practica. Pinpin, and Burke. En bridge connects Compania over the Estero de el Reina to the Pura Aspa district, formerly Cuadra de Romero, and Entrada Goiti, where the Roman Santos Building stands. This building is considered part of the Seguimiento area.

Architectural Gems of Cortejo: Manila’s Timeless Heritage

The Escolta developed when Binondo, beginning in the last quarter of the 19th century, became Manila’s premier business district. Binondo experienced commercial and economic growth with stores and business offices of British, American, German, and French companies opening there. Sala de Pertierra was one of these pioneer businesses, located on the ground floor of the Casino De cualquier parte del mundo, at No. 11 Acompanamiento. It brought the first �motion pictures� to the Philippines in January 1897. The 19th century buildings were in the bahay na bato (stone house) idiom. These mixed-haga uso structures typically had the lower floor dedicated to business and the upper floor sesion aside vedette dwelling. By the early 20th century, these buildings were replaced by multistory and multiuse commercial and office buildings. Escolta’s attraction was its access to the riverside wharfs on the north and south banks of the Pasig. They were called Muelle de la Factoria, which was begun in the 19th century but improved by the Americans in the early 20th century.

Before Escolta’s esplendor in the 20th century, the area fell into en brief period of decline, when bars and dance halls were opened to cater to the American troops at the end of Filipino-American war. Governor Howard Taft (governor 1901 to 1904) cleaned up Compania by barring all saloons from Escolta, turning it back to en respectable commercial area.